Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
Elderly Mrs. Ross lives alone in her meager flat, scraping by on government assistance even as she claims to have great wealth. After finding stolen money she is victimized, making it necessary to find her support in her declining years.
Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby.Written by
John Oswalt <email@example.com>
I was a tender 14 years old in 1962, when I accompanied my mentor (my high school Spanish teacher) to an art house movie theater in Greenwich Village to see this film. My only previous encounter with Leslie Caron had been in the wonderfully entertaining film "Gigi". I must say, this two hour spectacle of unrelieved misery came as quite a shock to me. I left the theater thinking I had just seen the most depressing film I had ever seen in my life. And yet...I loved it! In fact, I felt very grown up at having survived it. This would not have been possible without the aid of the movie's soundtrack, Brahm's Piano Concerto No.1, which my astonished ears heard for the first time that evening. I've been in love with that piece--and with Brahms--ever since.
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